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Nickel Boys

2024-12-13 Drama 2hr 20m

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

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Nickel Boys

Storyline

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

  • Released
    2024-12-13
  • Revenue
    $1,889,049
  • Budget
    $23,200,000
  • Runtime
    2hr 20m
  • Genre
    Drama
  • Status
    Released
  • Language
    English
  • imdb-logo
    0
  • Production
    Orion Pictures, Plan B Entertainment, Louverture Films, Anonymous Content

Crew

RaMell Ross
Director
Joslyn Barnes
Screenplay
Joslyn Barnes
Producer

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Cast

Ethan Cole Sharp

Ethan Cole Sharp

Young Elwood
Daveed Diggs

Daveed Diggs

Adult Elwood
Jase Stidwell

Jase Stidwell

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Legacy Jones

Legacy Jones

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Ky'druis Follins

Ky'druis Follins

Lincoln High School
Gabrielle Simone Johnson

Gabrielle Simone Johnson

Elwood's Girlfriend
Peter Gabb

Peter Gabb

Mr. Marconi
Bill Martin Williams

Bill Martin Williams

Old Man with Cane
Ellison Booker

Ellison Booker

Older Guy (Protest)
Zach Primo

Zach Primo

White Boy
Sean Papajohn

Sean Papajohn

White Boy
Trey Perkins

Trey Perkins

Chickie Pete
Robert Aberdeen

Robert Aberdeen

Mr. Goodall
Noah Craig

Noah Craig

Young Boy at Dining Hall
Nicholas Stevens

Nicholas Stevens

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Lucy Faust

Lucy Faust

Mrs. Hardee
Craig Tate

Craig Tate

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LeBaron Foster Thornton

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Larry (uncredited)
Bash Luks

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Martin Luther King Jr.

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Sidney Poitier

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Tony Curtis

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Videos and Photos

Nickel Boys
Nickel Boys
Nickel Boys
Nickel Boys
Nickel Boys
Nickel Boys
Nickel Boys

Movie Reviews

Reviews for Nickel Boys
reviewer avatar

A Review by Brent_Marchant 4

Written by Brent_Marchant on 2025-01-09

The artistic choices a director makes while working on a film often contribute much to the success or failure of the finished project. When ... read more

The artistic choices a director makes while working on a film often contribute much to the success or failure of the finished project. When these decisions aptly suit the nature of the production, they can transform a commendable picture into a cinematic masterpiece. But, when they fail at this, they can unduly get in the way, and such is the case with this debut narrative feature from writer-director RaMell Ross. Based on the 2020 Pulitzer Prize-winning novel by Colson Whitehead, the film tells the story of two young Black men, Ellwood (Ethan Herisse) and Turner (Brandon Wilson), who reside at the Nickel Academy, a fictional Florida reform school based on the infamous Dozier School for Boys, an institution known for its notoriously abusive treatment. Set in the 1960s against the backdrop of the Civil Rights Movement, “Nickel Boys” depicts the horrendous atrocities inflicted upon the two friends and other “academy” residents, brutality that included acts of physical and sexual abuse, as well as the mysterious “disappearances” of those who fail to abide by the facility’s strict rules. This is obviously an important and troubling story, one that desperately needs to be told. But, despite the picture’s fictional treatment of a fact-based tale, the impact of the story is severely diluted in this anemic screen adaptation, primarily due to the filmmaker’s attempt at wrongheadedly trying to turn it into some kind of cinematic art project. Much like the director’s inexplicably Oscar-nominated documentary feature “Hale County This Morning, This Evening” (2018), this release is seriously burdened by an array of unsuitable cinematography choices, some of which are employed unevenly, some of which add nothing particularly meaningful and others that are just plain odd. When combined with the picture’s poorly penned screenplay – one rife with redundant, predictable sequences and tediously dull dialogue that tries to pass itself off as more profound than it genuinely is – viewers are left with an overlong, lackluster narrative that significantly waters down the relevance of the events being chronicled here and that could have easily pruned about 30 minutes from its excessive 2:20:00 runtime. In fact, were it not for the fine performance of Aunjanue Ellis-Taylor as Ellwood’s loving grandmother, there’s not much else worth watching in this exercise of style over substance. Indeed, how this offering has managed to capture the attention of the critics’ community is truly beyond me. An incensing tale like this deserves much better than what’s on offer in this disappointing slog, yet another of 2024’s disappointing celluloid failures.

reviewer avatar

A Review by Geronimo1967 7

Written by Geronimo1967 on 2025-02-05

There are two really engaging performances on offer here as Ethan Herisse and Brandon Wilson deliver a powerful indictment of a Florida scho... read more

There are two really engaging performances on offer here as Ethan Herisse and Brandon Wilson deliver a powerful indictment of a Florida school for boys. Induced there with promises of innovative educational practices and no exorbitant fees, these lads arrive to discover that what they are attending is little better than a prison. Governed by brutality, starvation and violence, the boys have to conform to the demands of their boss “Spencer” (Hamish Linklater) or else life won’t be for the living. It’s worth pointing out that this isn’t just a school for black kids, all shapes and sizes are used and abused here and even if the authorities do decide to make a rudimentary visit, nobody ever dares to step out of line. It’s told using a combination of timelines, so there’s not so much actual jeopardy for the two characters, but what we do see is just how each struggled to come to terms with their predicament in different ways, yet always managing to provide support for the other. As we build to the conclusion, the true extent of the horrors inflicted on these students becomes more appreciable and the production starts to mingle the drama with real-life photography, statistics and more abstract imagery that proves intangibly effective at illustrating just how messed up people could be after a childhood/youth spent in fear. It takes it’s time which at times can prove frustrating, but in the end I reckon RaMell Ross manages to pick his way through this emotional minefield carefully and poignantly and it’s a tough, but worthwhile, watch.

Read Full Review (The thoughts and opinions expressed here are solely those of the reviewer.)
A Review by Brent Marchant

The artistic choices a director makes while working on a film often contribute much to the success or failure of the finished project. When these decisions aptly suit the nature of the production, they can transform a commendable picture in...

reviewer avatar

A Review by Brent_Marchant 4

Written by Brent_Marchant on 2025-01-09

The artistic choices a director makes while working on a film often contribute much to the success or failure of the finished project. When these decisions aptly suit the nature of the production, the...

read more
reviewer avatar

A Review by Geronimo1967 7

Written by Geronimo1967 on 2025-02-05

There are two really engaging performances on offer here as Ethan Herisse and Brandon Wilson deliver a powerful indictment of a Florida school for boys. Induced there with promises of innovative educa...

read more