The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with this Brechtian sentence: "Oil resists the five acts." He describes how difficult it is to make a dramatic adaptation of structures or massive processes that are not bound to biographies.
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The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with this Brechtian sentence: "Oil resists the five acts." He describes how difficult it is to make a dramatic adaptation of structures or massive processes that are not bound to biographies.
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