Two distinct interpretations of Chopin’s notable repertory prelude, immortalized in Ingmar Bergman’s Autumn Sonata, now receive an updated treatment, with a shifting focal gaze and staging that implicates the performer as the listener and listener as the performer.
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Two distinct interpretations of Chopin’s notable repertory prelude, immortalized in Ingmar Bergman’s Autumn Sonata, now receive an updated treatment, with a shifting focal gaze and staging that implicates the performer as the listener and listener as the performer.
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