"Oranges" is the second in an ongoing portrait of collectivity. The camera pans across a group of artists - one by one in succession - as they engage in an intimate exchange. The gestures make up a new grammar, revealing something that does not make sense because of its proximity to something else, but because something new is understood.
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"Oranges" is the second in an ongoing portrait of collectivity. The camera pans across a group of artists - one by one in succession - as they engage in an intimate exchange. The gestures make up a new grammar, revealing something that does not make sense because of its proximity to something else, but because something new is understood.
