A Holy Place director Djordje Kadijevic looks back at how his early counter-revolutionary war films led to him inadvertently becoming part of the ‘Yugoslav Black Wave’, and how a polite but firm block on the making of any more such films led him into television and eventually towards the fantasy genre.
More
A Holy Place director Djordje Kadijevic looks back at how his early counter-revolutionary war films led to him inadvertently becoming part of the ‘Yugoslav Black Wave’, and how a polite but firm block on the making of any more such films led him into television and eventually towards the fantasy genre.
No keywords have been added yet
