Two attachées de presse, obviously in Pierre Unia's office (several of his film posters are on the walls) meet and make 'friends'. The one in red (Caroline) comes into the office in search of photos as the other is sorting out stills from sex films. At first Caroline declares that she does not care much for sex films. Yet they browse through the photos recalling scenes from films and both women get more and more excited until they are joined by a technician called Pierrot. The film uses this context mainly to show us scenes from previous Pierre Unia films.
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Two attachées de presse, obviously in Pierre Unia's office (several of his film posters are on the walls) meet and make 'friends'. The one in red (Caroline) comes into the office in search of photos as the other is sorting out stills from sex films. At first Caroline declares that she does not care much for sex films. Yet they browse through the photos recalling scenes from films and both women get more and more excited until they are joined by a technician called Pierrot. The film uses this context mainly to show us scenes from previous Pierre Unia films.
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