"For 'Floor' I was interested in the limits of the frame and the idea of what was “in” and what was “out” and working all the way to the edge. So I set up a particular frame that would allow for a play between flatness and depth, between representations of a partial body and a full body. Douglas’s task was to do the same sequence of movement both forward and backwards in time." - Charles Atlas
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"For 'Floor' I was interested in the limits of the frame and the idea of what was “in” and what was “out” and working all the way to the edge. So I set up a particular frame that would allow for a play between flatness and depth, between representations of a partial body and a full body. Douglas’s task was to do the same sequence of movement both forward and backwards in time." - Charles Atlas
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