Where to watch Persuasion online

Storyline

Royal Navy Captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside country estate, rented by his brother-in-law, Admiral Croft, so the financially stressed baronet can afford a fashionable, cheaper residence in trendy Bath. The former lovers meet again on the estate, where they feel vibes again, but neither dares admit them until it seems too late.

Released

2007-04-01
Revenue

n/a
Budget

n/a
Runtime

1hr 33m
Genre

Drama, Romance, TV Movie
Status

Released
Language

English
7.4
Production

Clerkenwell Films, GBH

Crew

Adrian Shergold

Director

Jane Austen

Novel

David Snodin

Producer

Keywords:

navy captain based on novel or book love triangle poetry love

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Cast

Sally Hawkins

Anne Elliot

Rupert Penry-Jones

Captain Wentworth

Alice Krige

Lady Russell

Tobias Menzies

William Elliot

Anthony Stewart Head

Sir Walter Elliot

Julia Davis

Elizabeth Elliot

Michael Fenton Stevens

Mr. Shepherd

Mary Stockley

Mrs. Clay

Peter Wight

Admiral Croft

Marion Bailey

Mrs. Croft

Amanda Hale

Mary Musgrove

Jennifer Higham

Louisa Musgrove

Rosamund Stephen

Henrietta Musgrove

Stella Gonet

Mrs. Musgrove

Sam Hazeldine

Charles Musgrove

Nicholas Farrell

Mr. Musgrove

Joseph Mawle

Harry Harville

Finlay Robertson

James Benwick

Brian Knight

Maisie Dimbleby

Sarah Buckland

Tilly Tremayne

Cara Bamford

Timothy Hallett

Alexander Hathaway

Chris Wilson

Videos and Photos

Movie Reviews

Reviews for Persuasion

A Review by narrator56 9

Written by narrator56 on 2020-04-05

You may well ask, why should you watch this particular version of Jane Austen's Persuasion? well, settle in and let me tell you. I think... read more

You may well ask, why should you watch this particular version of Jane Austen's Persuasion? well, settle in and let me tell you. I think I own almost every filmed version of every Austen novel. I find different strengths and weaknesses in all of them, but I would not trash any of them the way people do some versions because they don't stay true enough to the books. I write novels myself in my spare time and - were I lucky enough (or good enough) to have any made into a film - I would not be offended if they were changed. Books and movies have different needs and ways of telling a story. That said, I really love this interpretation of Persuasion. I greatly appreciate how British productions often don't automatically lunge for the most beautiful or most handsome actors and actresses for their lead roles, as American productions are apt to do. Sally Hawkins is by no means ugly, but she is almost homely in some of her scenes, such as when she is weeping. I read a criticism in a review of how the actors stare into the camera, but I think Sally is at her most masterful doing just that, looking right at us, such as in the very first scene, or the weeping scene I just mentioned. Her facial expression changes are sometimes dramatic and other times subtle but still very effective. I think all of the acting is wonderful here, from the effete snob father right down through to the many minor characters. I do admit I was a bit mystified by one aspect of the ending. I will try not to give it away to those who may actually be deciding whether to watch it, but the book's ending is changed for the film, which as I said above, isn't a problem for me in itself. There are enough versions of Austen movies or mini-series out there that I am fine with each doing some interpreting. And in this version, they want to make the final scene more dramatic. That is fine. But what struck me as weird was that Anne follows a character out the front door just seconds behind him, but that person is nowhere to be seen on the street, and she goes off in pursuit. It wouldn't have taken much to have Anne be delayed leaving just long enough to make it realistic that there would be no sign of him when she steps outside. But I forgive them that oddity. Perhaps it was the result of an editing room dilemma. Also in that scene they show her walking from above, which makes for a strange angle. Since then I have seen that technique used more, so perhaps it is a new thing. The music by Martin Phipps is also wonderful, moody and rich. I am surprised that the soundtrack was not made available (the last time I checked). The closest I have come to finding it was, oddly enough, a CD called H2O by the Canadian nature CD producer Dan Gibson. It is similar to the main theme music of the movie, though obviously not the same thing.

Read Full Review (The thoughts and opinions expressed here are solely those of the reviewer.)

A Review by Peter McGinn

A Review by narrator56 9

Written by narrator56 on 2020-04-05

You may well ask, why should you watch this particular version of Jane Austen's Persuasion? well, settle in and let me tell you. I think I own almost every filmed version of every Austen novel. I ...