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The Grudge

"It never forgives. It never forgets."

2004-10-22 Horror 1hr 32m

An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.

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Trailer
Amazon Prime Video

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The Grudge
Amazon Prime Video

Watch on Amazon Prime Video

Storyline

An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.

  • Released
    2004-10-22
  • Revenue
    $183,474,602
  • Budget
    $10,000,000
  • Runtime
    1hr 32m
  • Genre
    Horror, Mystery, Thriller
  • Status
    Released
  • Language
    English, 日本語
  • imdb-logo
    5.9
  • Production
    Ghost House Pictures

Crew

Takashi Shimizu
Director
Robert Tapert
Producer

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Cast

Jason Behr

Jason Behr

Doug McCarthy
Takako Fuji

Takako Fuji

Kayako Saeki
Yuya Ozeki

Yuya Ozeki

Toshio Saeki
William Mapother

William Mapother

Matthew Williams
Clea DuVall

Clea DuVall

Jennifer Williams
KaDee Strickland

KaDee Strickland

Susan Williams
Grace Zabriskie

Grace Zabriskie

Emma Williams
Bill Pullman

Bill Pullman

Peter Kirk
Rosa Blasi

Rosa Blasi

Maria Kirk
Ted Raimi

Ted Raimi

Alex Jones
Ryo Ishibashi

Ryo Ishibashi

Det. Hideto Nakagawa
Yoko Maki

Yoko Maki

Yoko Sekine
Kazuyuki Tsumura

Kazuyuki Tsumura

Peter's Co-worker
Yôichi Okamura

Yôichi Okamura

Restaurant Manager
Eiji Ôki

Eiji Ôki

Morgue Detective
Katsuhiro Oyama

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Movie Reviews

Reviews for The Grudge
reviewer avatar

A Review by themoviediorama 4

Written by themoviediorama on 2020-01-16

The Grudge begrudgingly latches onto croaky jump scares without logical cohesion. This, is an unusual horror to review. It’s rather uncommon... read more

The Grudge begrudgingly latches onto croaky jump scares without logical cohesion. This, is an unusual horror to review. It’s rather uncommon for the same director, in this case Takashi Shimizu, to remake his own original film for an entirely different audience. Most would push their original creation onto the masses and convince them, with glorified persuasion, to withstand subtitles and invest the time into the chilling ghost story. Yet Shimizu thought it would be apt to direct his own film again. Admirable? Yes, it ensured he received total creative control over the studio and producers. Necessary? No. Somehow, by remaking the exact story with essentially the same spine-tingling sequences, Shimizu downgraded the atmospheric aura of ‘Ju-On’, resulting in nothing more than a Japanese ghost boy releasing his inner cat and his ethereal mother croaking the life out of anyone who visits the cursed house. That’s the plot synopsis, right there. Well, there’s a tad bit more to the mystery, however Shimizu’s insistence on haphazardly fracturing the narrative between present day and the past week consequently confused audiences rather than enthral. There’s no logic behind the structure. No foundational development. And certainly no characterisation. So the abrupt switching back and forth held no purpose, other than to illustrate a host of jumpy death sequences. Some effective apparitional imagery heightened the tension, particularly the surveillance footage sequence and bedroom scene that made me frightened of my own bloody duvet when I was an innocent boy, yet negated by the bland acting from every single actor. Buffy has no more vampires to slay or Daphne has solved all remaining mysteries (take your pick...), and so she’s left wandering aimlessly around Tokyo with just one facial expression. Confusion. Pullman contributed nothing. And even Kayako herself, Fuji, was grossly misused during moments of tension-raising buildup. The final expositional flashback sequence, revealing to us why the house is now essentially cursed, was rushed and overwrought. Then concluding the entire feature on a frickin’ jump scare that looked cheaper than Kayako’s mascara. By the time the credits roll, you’ll be thinking to yourself “...why are these Americans in Tokyo anyway?”. I just...don’t understand how Shimizu can make his remake so unprogressive in terms of quality. He had another shot at bettering his original, overcoming previous criticisms, yet failed miserably. I’m open to the idea that The Grudge is a product of its time, comprising of several horror traits that the previous decade had commonly exploited. And I appreciate it stuck to its J-horror roots. But damn, this has not aged well in the slightest. The core is there. I can visibly see the contents. Yet, either due to Shimizu’s inability to improve in directorial control or studio interference, The Grudge growled like a ghoulish kitten instead of exhuming a ghostly lion’s roar. Y’know, because Toshio opens his CGI mouth and a cat noise comes out? Urgh, whatever. Couldn’t think of anything...

Read Full Review (The thoughts and opinions expressed here are solely those of the reviewer.)
A Review by The Movie Diorama

The Grudge begrudgingly latches onto croaky jump scares without logical cohesion. This, is an unusual horror to review. It’s rather uncommon for the same director, in this case Takashi Shimizu, to remake his own original film for an entirel...

reviewer avatar

A Review by themoviediorama 4

Written by themoviediorama on 2020-01-16

The Grudge begrudgingly latches onto croaky jump scares without logical cohesion. This, is an unusual horror to review. It’s rather uncommon for the same director, in this case Takashi Shimizu, to rem...

read more