The television footage of a wrestling match is employed here as a metaphor for Quebec society. Using voice-over narration, Falardeau presents a compelling analysis of the structure of wrestling and its rituals. The good guy against the evil antagonist, the forces of order and the desires of the crowd. ± The audience becomes part of the spectacle in this powerful show where wrestlers confront one another under the watchful eye of the referee. It is a ritual of catharsis. The documentary begins with the words, images and sounds of Quebec's political struggle, "SOS F.L.Q. Continuons le combat". Produced right after the October Crisis in 1970, a crucial moment in Quebec's struggle to become a sovereign state, independent of Canada, the tape is charged with the bitter experience and political aspirations of the period. We recognize in this tape, the "Falardeau style" evident through a very strong narration that supports the images till the end, when the video abruptly closes.
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The television footage of a wrestling match is employed here as a metaphor for Quebec society. Using voice-over narration, Falardeau presents a compelling analysis of the structure of wrestling and its rituals. The good guy against the evil antagonist, the forces of order and the desires of the crowd. ± The audience becomes part of the spectacle in this powerful show where wrestlers confront one another under the watchful eye of the referee. It is a ritual of catharsis. The documentary begins with the words, images and sounds of Quebec's political struggle, "SOS F.L.Q. Continuons le combat". Produced right after the October Crisis in 1970, a crucial moment in Quebec's struggle to become a sovereign state, independent of Canada, the tape is charged with the bitter experience and political aspirations of the period. We recognize in this tape, the "Falardeau style" evident through a very strong narration that supports the images till the end, when the video abruptly closes.
