This film is a portrait of the group as it was more than a year before the release of the album The Dark Side of the Moon. It bears witness to one of the most fruitful periods in its existence. The recording session was filmed with a Coutant camera on 16mm black and white reversal stock. The rushes were found again by the filmmaker and are now preserved at the Cinémathèque française. They have never been seen except for a ten-minute excerpt used in the director's cut of Pink Floyd: Live at Pompeii.
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This film is a portrait of the group as it was more than a year before the release of the album The Dark Side of the Moon. It bears witness to one of the most fruitful periods in its existence. The recording session was filmed with a Coutant camera on 16mm black and white reversal stock. The rushes were found again by the filmmaker and are now preserved at the Cinémathèque française. They have never been seen except for a ten-minute excerpt used in the director's cut of Pink Floyd: Live at Pompeii.
