"IN A VISION OR IN NONE"
In this early exercise work of the director, three vignettes get intertwined within space and time. Often raw, often illusory, each vignette focuses on different surfaces of existential crisis of seemingly different characters. But, are they really different at all?
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In this early exercise work of the director, three vignettes get intertwined within space and time. Often raw, often illusory, each vignette focuses on different surfaces of existential crisis of seemingly different characters. But, are they really different at all?
