Where to watch Rojo online

Storyline

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Released

2018-10-26
Revenue

$557,092
Budget

n/a
Runtime

1hr 46m
Genre

Drama, Mystery, Thriller
Status

Released
Language

Español
6.3
Production

PUCARÁ cine, Bord Cadre Films, Desvia, Ecce Films, Sutor Kolonko, Cine Jempsa, INCAA, Cine Argentino, Le Tiro Cine

Crew

Benjamín Naishtat

Director

Benjamín Naishtat

Screenplay

Dan Wechsler

Producer

Keywords:

small town husband wife relationship detective 1970s disappearance argentina lawyer desert ballet class

Stream and watch Rojo

similar movies

The Strategy of the Snail

Attack Force

Piégé

Fallen

Murder at 1600

A Civil Action

Kiss the Girls

Cookie's Fortune

Martha

Patch Adams

Resurrection

14 Days to Life

The Hurricane

Strictly Ballroom

The Sweet Hereafter

The Flight of the Phoenix

Summer of Sam

Possible Lives

Dans l'ombre de Jackie Kennedy

Sweet Insanity

Cast

Videos and Photos

Movie Reviews

Reviews for Rojo

A Review by danybur 9

Written by danybur on 2020-12-22

Through the story of a lawyer (led by Darío Grandinetti) facing an unexpected event, Benjamín Naishtat articulates a powerful political poli... read more

Through the story of a lawyer (led by Darío Grandinetti) facing an unexpected event, Benjamín Naishtat articulates a powerful political policeman and a true sociological essay on the miseries of a town in an unnamed province of Argentina in 1975 and its apparent normality at a turbulent stage in its history. And with great cinematography. It is 1975. Claudio (Darío Grandinetti) is the Doctor, a prestigious lawyer from a town in an unnamed province of Argentina, married to Susana (Andrea Frigerio) and with a teenage daughter. A tense incident with a stranger (Diego Cremonesi) in a town restaurant will be the first in a series of events that will call into question the Doctor's calm. Actually, the first scene of the film is another, a powerful fixed shot over a house, in a scene of enormous eloquence. For those who do not know, or do not remember, in 1975 Isabel Perón ruled and Argentina was already devastated by the kidnappings and murders of the Triple A (Alianza Anticomunista Argentina), a parapolice organization linked to the Government, in a true advance of what that it would be state terrorism established by the civil-military dictatorship that overthrew Isabel in 1976. Red is a remarkable and disturbing film. Its plot suffers an apparent drift by situations that seem disconnected but that in reality are integrated into a powerful and implacable X-ray of an era: violence (sometimes left out of the field), disappearances, dispossession, looting of the victims, the swindle, the silence, the imposture, the impunity. But all under a layer of apparent normality and within the framework of a province intervened to "restore" it. Naishtat's film could be defined as a sociological and political black cop. Each scene is a necessary note (and never underlined) on the general picture, including the successful scene on a beach in Mar del Plata. From the formal point of view, the filmic recreation of the time is remarkable, with that tone between faded and sepia that dominates photography and its red titles. There is a great use of still shots and beautiful wide shots in desert locations. Grandinetti's very good performance, while the apparent over-acting of a character who later appears in charge of Alfredo Castro (the actor from I'm afraid of a bullfighter), also has its justification. The school device could not be absent in this story, when a teacher (Susana Pampín) rehearses with Claudio's daughter and other classmates the dance Los Salvajes from the opera Las Indias Galantes by Rameau (a luxury of the soundtrack) for an act school and what he says to put them in position for the scene, in what constitutes a disturbing stagin