Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.
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Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.
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