The film is not only a nod to Lettrist and Structuralite films in terms of its form and content; It was while thinking of the Flux Films series initiated by George Maciunas that the original idea for this film came to me. It had to be short, concise and in black and white. I had for some time had a fascination with the figures, the accounts and the texts used for the production of the credits made on ban-titles and which, after several generations take a slight overexposure. The film was set up with the references it actually generated.
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The film is not only a nod to Lettrist and Structuralite films in terms of its form and content; It was while thinking of the Flux Films series initiated by George Maciunas that the original idea for this film came to me. It had to be short, concise and in black and white. I had for some time had a fascination with the figures, the accounts and the texts used for the production of the credits made on ban-titles and which, after several generations take a slight overexposure. The film was set up with the references it actually generated.
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