In 1958, when Sam Cooke crossed over from gospel to popular music, he ran the risk of alienating his gospel fans by embracing "the devil's music." Instead, he set in motion a chain of events that altered the course of popular music and race relations in America.
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In 1958, when Sam Cooke crossed over from gospel to popular music, he ran the risk of alienating his gospel fans by embracing "the devil's music." Instead, he set in motion a chain of events that altered the course of popular music and race relations in America.
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