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Salomé

1922-12-31 Drama 1hr 14m

Based on Oscar Wilde's play, the films tells the story of how Salomé agrees to dance for King Herod in return for the head of John the Baptist.

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Salomé
Amazon Video

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Storyline

Based on Oscar Wilde's play, the films tells the story of how Salomé agrees to dance for King Herod in return for the head of John the Baptist.

  • Released
    1922-12-31
  • Revenue
    n/a
  • Budget
    $350,000
  • Runtime
    1hr 14m
  • Genre
    Drama, Fantasy, Horror
  • Status
    Released
  • Language
    No Language
  • imdb-logo
    0
  • Production
    Nazimova Productions

Crew

Charles Bryant
Director
Natacha Rambova
Screenplay
Alla Nazimova
Producer

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Cast

Nigel De Brulier

Nigel De Brulier

Jokaanan, the Prophet
Mitchell Lewis

Mitchell Lewis

Herod, Tetrarch of Judea
Rose Dione

Rose Dione

Herodias, wife of Herod
Earl Schenck

Earl Schenck

Narraboth, Captain of the Guard
Arthur Jasmine

Arthur Jasmine

Page of Herodias
Frederick Peters

Frederick Peters

Naaman, the Executioner
Louis Dumar

Louis Dumar

Tigellinus

Videos and Photos

Salomé
Salomé
Salomé
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Salomé
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Salomé

Movie Reviews

Reviews for Salomé
reviewer avatar

A Review by Geronimo1967 7

Written by Geronimo1967 on 2025-01-14

Yikes, but I wonder what the good old Code would have made of this hugely sexually fluid and charged interpretation of Oscar Wilde's story o... read more

Yikes, but I wonder what the good old Code would have made of this hugely sexually fluid and charged interpretation of Oscar Wilde's story of the bible's ultimate temptress. It's Alla Nazimova who takes the top billing as she sets her sights on the prophet "Jokaanan" (a shockingly wooden Nigel De Brulier) who sees her as little better than the spawn of Satan. Determined that she isn't going to be spurned, she shifts her inclination from seduction to revenge, and to that end she goes to work on her sleazy step-father Herod (Mitchell Lewis) who was the Tetrarch of the Roman province of Judea. He's your typical lecherous coward and though she tantalises him relentlessly, he is afraid to challenge the religious establishment or the people whom he knows will not approve of any attempt to separate "Jokaanan" from his head. Finally, she manages to exhort a promise from him and that's where the legend takes over and the seven veils do their stuff! It is very theatrically staged with precision and skill, if not a great deal of humanity. Indeed, it doesn't look natural at all as the characters deliver such stylised performances, but that also helps to capture it's very seaminess. The court of this king is debauchery central, and there is a clear sense from the photography that director Charles Bryant is showing us as much as he dare whilst simultaneously teasing our imagination provocatively. Some of the supporting cast look like they came straight from a "Tarzan" film and the others straight from Cleopatra's court of eunuchs and hairless men clad only in short kilts and curly wigs. It could do with an injection of pace at times, but if you sit back and let the whole tawdry thing wash over you, it's quite enjoyable.

Read Full Review (The thoughts and opinions expressed here are solely those of the reviewer.)
A Review by CinemaSerf

Yikes, but I wonder what the good old Code would have made of this hugely sexually fluid and charged interpretation of Oscar Wilde's story of the bible's ultimate temptress. It's Alla Nazimova who takes the top billing as she sets her sight...

reviewer avatar

A Review by Geronimo1967 7

Written by Geronimo1967 on 2025-01-14

Yikes, but I wonder what the good old Code would have made of this hugely sexually fluid and charged interpretation of Oscar Wilde's story of the bible's ultimate temptress. It's Alla Nazimova who tak...

read more