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The Almond and the Seahorse

2022-12-16 Drama 1hr 35m

For Gwen, it's always 1999. The face in the mirror is unfamiliar and her partner isn't recognizable to her despite waking up together every day. Joe's past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.

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The Almond and the Seahorse
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Storyline

For Gwen, it's always 1999. The face in the mirror is unfamiliar and her partner isn't recognizable to her despite waking up together every day. Joe's past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.

  • Released
    2022-12-16
  • Revenue
    $790
  • Budget
    n/a
  • Runtime
    1hr 35m
  • Genre
    Drama, Romance
  • Status
    Released
  • Language
    English
  • imdb-logo
    5.4
  • Production
    Mad as Birds, Head Gear Films, Metrol Technology

Crew

Celyn Jones
Director
Kaite O'Reilly
Screenplay
Andy Evans
Producer

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Movie Reviews

Reviews for The Almond and the Seahorse
reviewer avatar

A Review by Geronimo1967 6

Written by Geronimo1967 on 2024-05-14

Celyn Jones takes the plaudits here with an engaging and considered performance as the amiable "Joe". Married to "Sarah" (Rebel Wilson), he ... read more

Celyn Jones takes the plaudits here with an engaging and considered performance as the amiable "Joe". Married to "Sarah" (Rebel Wilson), he is suffering from a regressive form of amnesia that might soon ensure he has no idea who she is. Though caring, she is struggling with this traumatic and frustratingly repetitive existence and using their doctor "Falmer" (Meera Syal) as a sort of conduit, we meet other people whose relationships and lives are being eroded by similar forms of cerebral wasting away. Apparently the film's title comes from two parts of the brain that are similarly shaped and that deal with memory - and for a while this is quite a poignant look at how people must deal with such an intangible illness. Those affected don't miss what they never had, so increasingly it's those around them who must reconcile themselves to lives where they have to learn play a different part to the one they signed up for. Aside from the quite touching effort from Jones, though, the rest of this is really poorly written and prone to too many tangents. The sexualising of the relationship between "Sarah" and "Toni" (Charlotte Gainsbourg) who's long term partner, a skilful cellist, has been admitted for observation suggest some need for diversion and hope amidst the relatives, but quickly fizzles out bringing nothing at all to the story. The cynical and aloof characterisation of "Falmer" - who may, or may not, have issues of her own, is so devoid of sympathy that I found her very difficult to believe. There are some thought-provoking threads to consider here, but Wilson isn't really a very compelling actor to watch. The whole thing relies too much on the use of prop cigarettes and upon our own, innate, attitudes of compassion and appreciation of the frustrations rather then using the characters to depict them. It skates on far too thin ice most of the time, and is really quite disappointing.

Read Full Review (The thoughts and opinions expressed here are solely those of the reviewer.)
A Review by CinemaSerf

Celyn Jones takes the plaudits here with an engaging and considered performance as the amiable "Joe". Married to "Sarah" (Rebel Wilson), he is suffering from a regressive form of amnesia that might soon ensure he has no idea who she is. Tho...

reviewer avatar

A Review by Geronimo1967 6

Written by Geronimo1967 on 2024-05-14

Celyn Jones takes the plaudits here with an engaging and considered performance as the amiable "Joe". Married to "Sarah" (Rebel Wilson), he is suffering from a regressive form of amnesia that might so...

read more